Can You Draw a Circle or Lines in Premier Pro

Adobe Premiere Pro User Guide
Beta releases
1. Beta Programme Overview
2. Premiere Pro Beta Dwelling
3. Features in Beta
  1. New import & consign in Premiere Pro (Beta)
  2. FAQ | New import and export in Premiere Pro (Beta)
Getting started
1. Get started with Adobe Premiere Pro
2. What's new in Premiere Pro
3. Release Notes | Premiere Pro
4. Keyboard shortcuts in Premiere Pro
5. Accessibility in Premiere Pro
Hardware and operating system requirements
1. Hardware recommendations
2. System requirements
3. GPU and GPU Commuter requirements
4. GPU Accelerated Rendering & Hardware Encoding/Decoding
Creating projects
1. Creating projects
2. Open up projects
3. Move and delete projects
4. Work with multiple open up projects
5. Work with Projection Shortcuts
6. Backward compatibility of Premiere Pro projects
7. Open and edit Premiere Blitz projects in Premiere Pro
8. All-time Practices: Create your own projection templates
Workspaces and workflows
1. Workspaces
2. Working with Panels
3. Windows bear on and gesture controls
4. Utilise Premiere Pro in a dual-monitor setup
Capturing and importing
1. Capturing
  1. Capturing and digitizing footage
  2. Capturing HD, DV, or HDV video
  3. Batch capturing and recapturing
  4. Setting up your system for Hard disk, DV, or HDV capture
2. Importing
  1. Transferring and importing files
  2. Importing still images
  3. Importing digital audio
3. Importing from Avid or Final Cut
  1. Importing AAF project files from Avid Media Composer
  2. Importing XML project files from Final Cut Pro seven and Final Cutting Pro 10
4. Supported file formats
5. Digitizing analog video
6. Working with timecode
Editing
1. Sequences
  1. Create and change sequences
  2. Add together clips to sequences
  3. Rearrange clips in a sequence
  4. Observe, select, and grouping clips in a sequence
  5. Edit from sequences loaded into the Source Monitor
  6. Simplify sequences
  7. Rendering and previewing sequences
  8. Working with markers
  9. Scene edit detection
2. Video
  1. Create and play clips
  2. Trimming clips
  3. Synchronizing audio and video with Merge Clips
  4. Render and replace media
  5. Undo, history, and events
  6. Freeze and concord frames
  7. Working with aspect ratios
3. Audio
  1. Overview of audio in Premiere Pro
  2. Audio Track Mixer
  3. Adjusting volume levels
  4. Editing, repairing and improving audio using Essential Sound panel
  5. Automatically duck audio
  6. Remix audio
  7. Monitor clip volume and pan using Audio Prune Mixer
  8. Audio balancing and panning
  9. Advanced Audio - Submixes, downmixing, and routing
  10. Sound effects and transitions
  11. Working with audio transitions
  12. Employ effects to sound
  13. Measure audio using the Loudness Radar consequence
  14. Recording audio mixes
  15. Editing audio in the timeline
  16. Sound channel mapping in Premiere Pro
  17. Utilise Adobe Stock audio in Premiere Pro
4. Advanced editing
  1. Multi-camera editing workflow
  2. Editing workflows for feature films
  3. Set up and use Head Mounted Display for immersive video in Premiere Pro
  4. Editing VR
5. Best Practices
  1. All-time Practices: Mix audio faster
  2. Best Practices: Editing efficiently
Video Effects and Transitions
1. Overview of video furnishings and transitions
2. Effects
  1. Types of effects in Premiere Pro
  2. Apply and remove effects
  3. Effect presets
  4. Automatically reframe video for dissimilar social media channels
  5. Color correction effects
  6. Alter duration and speed of clips
  7. Aligning Layers
  8. Stabilize footage
3. Transitions
  1. Applying transitions in Premiere Pro
  2. Modifying and customizing transitions
  3. Morph Cut
Graphics, Titles, and Animation
1. Graphics and titles
  1. Overview of the Essential Graphics panel
  2. Create a title
  3. Create a shape
  4. Check spelling and Find and Supercede
  5. Use text gradients in Premiere Pro
  6. Add together Responsive Pattern features to your graphics
  7. Apply Motility Graphics templates for titles
  8. Supercede images or videos in Motion Graphics templates
  9. Utilise data-driven Motion Graphics templates
  10. All-time Practices: Faster graphics workflows
  11. Working with captions
  12. Speech to Text
  13. Speech to Text in Premiere Pro | FAQ
  14. Upgrade Legacy titles to Source Graphics
2. Animation and Keyframing
  1. Adding, navigating, and setting keyframes
  2. Animating effects
  3. Utilize Motion effect to edit and breathing clips
  4. Optimize keyframe automation
  5. Moving and copying keyframes
  6. Viewing and adjusting furnishings and keyframes
Compositing
1. Compositing, blastoff channels, and adjusting clip opacity
2. Masking and tracking
3. Blending modes
Color Correction and Grading
1. Overview: Color workflows in Premiere Pro
2. Get creative with color using Lumetri looks
3. Suit color using RGB and Hue Saturation Curves
4. Correct and match colors betwixt shots
5. Using HSL Secondary controls in the Lumetri Color panel
6. Create vignettes
7. Looks and LUTs
8. Lumetri scopes
9. Display Color Management
10. HDR for broadcasters
11. Enable DirectX HDR support
Exporting media
1. Workflow and overview for exporting
2. Quick consign
3. Exporting for the Web and mobile devices
4. Export a still image
5. Exporting projects for other applications
6. Exporting OMF files for Pro Tools
7. Export to Panasonic P2 format
8. Exporting to DVD or Blu-ray Disc
9. Best Practices: Export faster
Collaboration: Frame.io, Productions, and Squad Projects
1. Collaboration in Premiere Pro
2. Frame.io
  1. Install and actuate Frame.io
  2. Apply Frame.io with Premiere Pro and Afterward Furnishings
3. Productions
  1. Using Productions
  2. How clips piece of work across projects in a Production
  3. All-time Practices: Working with Productions
4. Team Projects
Working with other Adobe applications
1. Afterward Effects and Photoshop
2. Dynamic Link
3. Audience
4. Prelude
Organizing and Managing Assets
1. Working in the Projection panel
2. Organize assets in the Projection panel
3. Playing assets
4. Search avails
5. Creative Cloud Libraries
6. Sync Settings in Premiere Pro
7. Consolidate, transcode, and annal projects
8. Managing metadata
9. Best Practices
  1. Best Practices: Learning from broadcast production
  2. All-time Practices: Working with native formats
Improving Performance and Troubleshooting
1. Set preferences
2. Reset preferences
3. Working with Proxies
  1. Proxy overview
  2. Ingest and Proxy Workflow
4. Check if your system is compatible with Premiere Pro
5. Premiere Pro for Apple silicon
6. Eliminate flicker
7. Interlacing and field order
8. Smart rendering
9. Control surface support
10. Best Practices: Working with native formats
11. Knowledge Base
  1. Green and pink video in Premiere Pro or Premiere Rush
  2. How do I manage the Media Cache in Premiere Pro?
  3. Fix errors when rendering or exporting
  4. Troubleshoot issues related to playback and performance in Premiere Pro
Monitoring Assets and Offline Media
1. Monitoring assets
  1. Using the Source Monitor and Program Monitor
  2. Using the Reference Monitor
2. Offline media
  1. Working with offline clips
  2. Creating clips for offline editing
  3. Relinking offline medInstia

Use Premiere Pro's masking tools to apply furnishings to a specific part of a frame in your video. Larn to apply a mask, and then track it as it moves beyond the frame.

Masking in Premiere Pro

Masks let you define a specific area in a clip that you want to mistiness, cover, highlight, employ effects, or colour-correct. You can create and modify different shaped masks, like an Ellipse or a Rectangle. Or, you tin can draw gratis-form Bezier shapes using the Pen tool.

Create masks using shapes

You lot tin apply the Ellipse shape tool to create a circular or ellipse-shaped mask, or a Rectangle shape tool to create a four-sided polygon.

In the Timeline console, select the clip you want to mask.

From the Furnishings panel, select the effect that you want to apply to the clip.

For example, if you want to apply the Mosaic effect, select Video Effects > Stylize > Mosaic.

Apply the selected result to a clip past dragging the effect from the Effects console to the prune in the Timeline console. Alternatively, select the clip and double-click an effect in the Effects panel to apply it.

For more information on applying an effect, encounter Apply effects to clips.

Add mosaic effect to a clip — Add mosaic outcome to a clip

Open up the Effect Controls panel to run into the effect backdrop. Click the drop-downward arrow to reveal the controls.

Y'all can create an ellipse or rectangle. Use the Pen tool to create complimentary class shapes.

You can specify values to arrange a mask using theEffect Controls console. The controls change depending on your option. For more information, run across Adapt mask settings.

Click the Ellipse shape tool to create an Ellipse-shaped mask or click the Rectangle shape tool to create a rectangle-shaped mask.

The shape mask appears in the clip displayed in the Plan Monitor, and the effect is constrained inside the masked area.

You tin now customize the size and shape of the mask using the Effect Controls console. For more information on editing your mask, see Conform mask settings.

You tin apply the same effect multiple times by using dissimilar settings each time.

Of import notes

Premiere Pro does not save masks as effects presets.
Masking is disabled for the Warp Stabilizer effect. The mask shape controls exercise not appear for the Warp Stabilizer issue in the Outcome Controls Console.

Create free-form shapes

You can create free-grade shapes using the Pen tool. The Pen Tool lets you freely draw complex mask shapes effectually objects.

Select the Pen tool from the Upshot Controls console. Depict directly on the clip in the Program Monitor.

Create a free form shape using the Pen tool

Y'all tin can create unlike shapes by drawing straight lines and curved segments. To draw polish curves, yous can describe Bezier path segments that provide you greater control over the shape of the mask.

The simplest path that you lot can draw with the Pen tool is a straight line with ii vertex points. By continuing to click, you create a path made of straight-line segments connected by vertex points. This is a linear mask.

A linear mask is e'er a polygon with joined by hard angles. Linear control points are also known every bit corner points.

Use the Pen tool to create a linear mask — Utilise the Pen tool to create a linear mask

Position the Pen tool where yous want the straight segment to begin, and click to define the start vertex point (practice not drag).

The first segment you depict is non visible until you lot click a 2d vertex bespeak.

Click again where you want the segment to end.

Continue clicking to set vertex points for additional direct segments.

To shut the path with a linear mask, Alt+click (Windows) or Choice+click (macOS) over the offset vertex point.

You create a curved path segment past dragging direction lines using the Pen tool. The length and direction of the direction lines make up one's mind the shape of the bend.

To create Bezier shapes, you convert a vertex point on a mask to a Bezier point by pressing the Alt key while placing the cursor over the vertex point. The cursor becomes an inverted "Five" shape . Then, click and release the arrow.

Bezier handles provide two-directional controls that allow you to change the curve of the line segment between the handle and the next point on either side.

bezier lines

A. Two-directional Bezier handles to control the shape of the curveB. Bezier mask points

Place the Pen tool where yous want the bend to brainstorm, and hold the mouse button downwards. A vertex appears, and the Pen tool pointer changes to an arrowhead.

Drag to modify the length and management of both management lines for a vertex, and then release the mouse push.

A. Placing the Pen tool
B. Starting to drag (mouse push pressed)
C. Dragging to extend management lines

Drawing the first vertex in a curved path — Drawing the get-go vertex in a curved path

Place the Pen tool where you want the curved segment to end, and exercise one of the following:

To create a C-shaped curve, drag in the direction opposite from the direction that you dragged the previous direction line, and then release the mouse button.

A. Starting to elevate
B. Dragging away from previous direction line, creating a C curve
C. Result after releasing mouse button

Drawing the second vertex in a curved path

To create an South-shaped curve, drag in the same direction as the previous direction line, and so release the mouse button.

A. Starting to elevate
B. Dragging in same direction as previous management line, creating an S curve
C. Upshot after releasing mouse button

Drawing an S curve — Drawing an Due south curve

Continue dragging the Pen tool from different locations to create a serial of smoothen curves.

You can create perfect angles using the Pen tool. To create a perfect angle, do one of the post-obit:

Shift + click to draw perfect 0°, 45°, 90° angles.
Shift+ drag on an existing Linear point to motility it around at  0°, 45°, 90° angles.
Shift + click to draw a new bezier indicate to create a curve with handles constrained to 0°, 45°, 90° angles.
Shift + drag on existing Bezier control handles to suit them at 0°, 45°, 90° angles.
Opt + Shift + click and drag breaks the bezier into ii curves while constraining the i y'all clicked on to 45° increments.

Modifying and moving masks

The vertex points on a mask let you hands manage the shape, size, and rotation of a mask.

Alter the shape, size, and rotation of a mask

masking3-31

To change the shape of a mask, drag a mask handle.

masking3-32

To change the shape of an ellipse mask to a polygon, press Alt and click any of the vertices of the ellipse.

masking3-33

To resize a mask, place your cursor just outside a vertex and printing Shift (cursor becomes a double-sided arrow), then elevate the cursor.

masking3-34

To rotate the mask, place your cursor just outside a vertex (cursor becomes a curved double-sided arrow), and then drag.

Motion, add, or remove a vertex

masking3-35

To movement a vertex, drag the vertex with the Selection tool. Note that while dragging an ellipse-shaped mask, the ellipse shape is not maintained.

masking3-36

To add a vertex, place your cursor over a mask border while pressing Ctrl (Windows) or Cmd (macOS). The cursor changes to a pen shape with a "+" sign.

masking3-37

To remove a vertex, place your cursor over the point while pressing Ctrl (Windows) or Cmd (macOS). The cursor changes to a pen shape with a minus sign.

Other important commands and keyboard shortcuts

Utilise the arrow keys on your keyboard to nudge a selected command point past a distance of i unit of measurement.
Press Shift and use the arrow keys to nudge a selected control point by a distance of five units.
To deselect all the selected control points, click outside a currently active mask.
To disable straight manipulation of a mask, click outside the mask. Or deselect the clip in the sequence.
To delete a mask, select the mask in the Effect Controls Panel and press Delete on your keyboard.

Arrange mask settings

You can specify values to adjust a mask using the Issue Controls panel. You can plume the mask, expand the mask, change the opacity, or capsize the mask to stylise your video.

Adjust mask settings — Suit mask settings

Apply mask feathering

feather mask

To feather a mask, specify aMask Feather value. The feathering guide appears effectually the mask every bit a dashed line. Drag the handle away from the feathering guide to increase the feathering, or toward the feathering guide to decrease the feathering.

The mask feather handle lets you control the amount of feathering directly on the mask outline in the Programme Monitor.

Conform mask opacity

opacity

When opacity is applied to a mask it volition alter the opacity of the footage you have cropped out.

To adjust the opacity of a mask, specify a Mask Opacity value. The slider controls the mask opacity. At a value of 100, the mask is opaque and blocks out any underlying area of the layer. As you lower the opacity, more than of the surface area under the mask becomes visible.

Adjust mask expansion

expand

To expand a mask, specify aMask Expansion value. Positive values move the borders outward, and negative values move information technology inward. You lot can also drag the handle away from the expansion guide to aggrandize the mask expanse, or toward the expansion guide to contract the mask area.

Invert mask selection

invert mask

Select the Inverted check box to contrary the masked and unmasked areas.

Y'all can protect areas that yous want to get out every bit-is by masking it, and select the Inverted check box to utilise effects to the unmasked areas.

Re-create and paste masks

Yous can easily re-create and paste masks between clips or between effects.

Copy and paste effects with masks between clips

When you re-create and paste an event containing masks, the pasted outcome has the same masks applied.

In the Timeline panel, select the clip containing the effect with masks.
In the Effect Controls panel, select the effect to copy.
Select Edit > Re-create. Or utilize the keyboard shortcut Ctrl+C (Windows) or Cmd+C (Mac OS).
Select another clip in the Timeline to which you want to paste the mask.
Select Edit > Paste. Or use the keyboard shortcut Ctrl+5 (Windows) or Cmd+V (Mac OS).

Copy and paste masks between furnishings

In the Effect Controls console, click the triangle to expand the effect to reveal the applied masks.
Select the mask to re-create.
Select Edit > Copy. Or use the keyboard shortcut Ctrl+C (Windows) or Cmd+C (Mac OS).
Select another result in the Effect Controls panel to which you desire to paste the mask.
Choose Edit > Paste. Or employ the keyboard shortcut Ctrl+V (Windows) or Cmd+V (Mac Bone).

Y'all can copy and paste simply one mask at a time.

Mask tracking in Premiere Pro

When you apply a mask to an object, Premiere Pro can allow the mask automatically follow the object equally it moves from one frame to some other. For instance, after blurring a face using a shape mask, Premiere Pro tin can automatically rails the movements of the masked face from frame to frame as the person moves.

When a mask is selected, the Effect Controls panel displays controls for tracking the mask forward or backward. You tin choose to track the mask either one frame at a time or until the end of the sequence.

Click the wrench icon to modify how masks are tracked. You tin select from a few choices to provide the most constructive tracking:

Position

Tracks merely the mask position from frame to frame

Position And Rotation

Tracks the mask position while changing the rotation as required per frame

Position, Scale, And Rotation

Tracks the mask position while automatically scaling and rotating as the frame moves

You can find the pick that works all-time for your prune by trial. Select 1 of these options, and if it doesn't work well, disengage, and try some other i.

To use the more than advanced tracking features available in Later on Effects, send your sequence to Afterwards Effects using the Dynamic Link feature. For more information, see Mask Tracking in After Effects.

Speed up mask tracking

Mask tracking in Premiere Pro is faster when Alive Preview is disabled (the default option). If for some reason, Live Preview is enabled, y'all can disable it using the following process.

In the Timeline console, select the prune containing the effect with masks.

To preview the changes in the track, click the mask wrench icon and select preview from the drib-down list.

To disable live preview, click the mask wrench icon and deselect preview from the drib-down list.

In addition, Premiere Pro has in-built features that optimize mask tracking:

For clips with a height greater than 1080, Premiere Pro scales the frame to 1080 earlier computing the rail. Besides, Premiere Pro uses Low Quality renders to speed upwards the procedure of mask tracking.

Video tutorial

How to blur a moving face with masking and tracking

In this five-min video tutorial, learn how to apply a feathered mask to protect a person's identity and and so track that mask equally it moves across the frame in a scene.

The tutorial provides you sample files to try out the feature for yourself.

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Source: https://helpx.adobe.com/uk/premiere-pro/using/masking-tracking.html